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Lynne's Viewpoint

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Has line dancing lost its identity and if so, has the music been the main contributor to that loss or does the problem lie elsewhere?  Perhaps you totally disagree and don't believe there is a problem at all.  Scroll down to read Lynne's latest viewpoint and then give us your opinion on what she has to say on the subject.

You can email Lynne directly by clicking on the address below.  Alternatively you can send your answers to me the webmaster sue@bluelinecps.co.uk and I will pass them on to Lynne on your behalf. 

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If you would like to view the last 10 Viewpoints and all the replies, click on the Archive buttons at the top left hand side of this screen.

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IS LINE DANCING STEPPING 
INTO OBLIVION?

The one main thing it lacks nowadays is an identity.  When you think of all other forms of dance, each and every one has a strong identity and is instantly recognisable.  Ballet, Salsa, Ballroom, Jive, etc. - they can all stand up alone.  Line did have an extremely strong identity - a Western/Country one.  Stetsons, cowboy boots, etc. combined with all forms of country music ranging from Bluegrass to Country-Rock.  As with all styles, sometimes the look and music could be naff, but at other times could be fantastic.  It certainly made people notice.
But what has happened to Line dance now?  Although very few wear Western gear these days, it is undoubtedly the music that has had the most impact on the loss of identity.  Whilst this is NOT a viewpoint about Country music versus the rest, it IS the music that is the main contributor to establishing the roots as well as the soul of any dance style.  The music in Line has diversified so much - in essence one can dance to anything these days.  Whether that in itself is a good or bad thing is not the issue, but the result is that the heart and soul has gone out of this great social dance form.  Line is now the 'mongrel dog' of the dance world - a mixture of all with no set breeding - and that has undermined its credibility.
Line dance no longer has an individual identity. 
It is a bunch of choreographed steps danced increasingly to throwaway tunes - metronome pop is the main culprit.  Here today, gone tomorrow, - that is the current sign of the times.  Very sad for what was for many a unique and special dance form.

Lynne

All replies are posted in the order in which they were received i.e. the most recent at the top

(13th Sept)
Well done Lynne you have really summed up what I think many are now thinking.  Line dancing ain't what it used to be, that's for certain and it is most definitely suffering from an identity crisis.
Lilly Strong
Cornwall

Thank you Lilly for agreeing with me and letting me know.
Warmest wishes,
Lynne


(13th Sept)
Lynne, surely you and all your fellow instructors have to carry some of the responsibility for this - after all, you are the people that select the dances to teach us and therefore dictate the trends.
Ken Grady,
Nashville, Tennessee

Hi Ken,
You are absolutely 100% correct.  It IS the responsibility of those who choose the dances to teach that dictate the trends.  However, trends are not dictated by any one individual; rather it is a collective force that dictates a trend.  A perfect example is that I often still wear a cowboy hat, but because the overwhelming majority do not, it is that majority that has dictated the trend.
However, I do take responsibility for contributing to the loss of identity regarding the music, but I realised the overwhelming majority of dancers did want to dance to a mixture of music-types and still do.
However, what started as a small amount of 'other types' of music, thus still retaining the line dance identity has now become a total reversal and the trend is that country music is now well in the minority, thus emphasising the loss of identity.
Hope you understand my point.  Thanks for your excellent email.
Regards,
Lynne

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Last modified: 12 September 2002